Saturday, December 3, 2011

"The purpose of high school" and StoriesLive®

StoriesLive® taught 1,100 high school students to tell their stories last year.  And our $5K in scholarships awards may be used for any post-secondary educational endeavor, including travel.
The purpose of high school and StoriesLive® by Norah Dooley

"I think this shows a good rationale about what you have been trying to do," said my husband, who regularly sends me good stuff to read.  He hit pay dirt with the following article "How College Prep is Killing High School". The article contains a compelling rationale for our program, StoriesLive®. The writer, Russell W. Rumberger  asks: What is the purpose of high school? "In 1818 Thomas Jefferson stated that the purpose of public education included giving citizens information for transacting business, the ability to express ideas in writing, and an understanding of duties to neighbors and country.  But the common thinking is that the main goal of high school is to prepare students for college. Period.

Rumberger says: "...we need to think differently about what high school should be: not narrowly focused on classroom achievement, but broadly designed to keep more students engaged, reward more types of thinking, and leave young people better prepared, whatever they plan to do." The focus of his remedy is on vocational education and Rumberger does say that predictions show that in 2018  33% of  jobs will not require a college degrees. He does not say how many of these jobs one will need to have in order to eat, house and clothe oneself, much less start and support a family.  It is common for recent college grads to have many part time, non professional jobs. One of our college grad daughters has two of these jobs to support her work as an after school teacher. There are larger economic and social issues at play here. And the current indebtedness to job opportuntiy ratio for college grads is another story altogether. Still, if educational decision makers pull their heads out of the college prep-test crazed labyrinth they've been lost in and see the light? Then we storytellers may find an opening to make a significant difference, by engaging students in self-knowledge and expression through live performance of oral, personal narrative - StoriesLive®. Below is a short video with some highlights from our StoriesLive®  program last year followed by excerpts from the Rumberger article:


"How College Prep is Killing High School"  excerpted from the Boston Globe, Nov 20, 2011
 
What is the purpose of high school? Over the past several years America seems to have arrived at a consensus: The overarching goal of high school is to prepare students for college. The current mantra is “college ready for all,” which means high school students need to be focusing on academic preparation and study skills. It’s a rare issue that crosses party lines — both Republicans and Democrats can win points by pushing for a tougher, more competitive high school education.
Driven by this notion, states and districts around the country have raised high school graduation requirements by increasing the number and rigor of required academic courses and by adding exit exams. Massachusetts doesn’t let students graduate unless they can pass the MCAS exam in English, math, and one science or technology subject. Americans, anxious about their competitiveness, look around the world and worry that, if anything, we’re not doing enough. But as we push harder to create more demanding high schools that are more focused on college preparation, something is also going wrong.

Emerging research in the education world suggests that a tougher approach to high school academics might leave students no better prepared for college and work, while also increasing the number of high school dropouts.... 
But we also need something else: more high school graduates, and better-trained ones. And to do that, we need to think differently about what high school should be: not narrowly focused on classroom achievement, but broadly designed to keep more students engaged, reward more types of thinking, and leave young people better prepared, whatever they plan to do.

To college-minded parents and educators, rethinking high school in this way might sound like a scaling back of ambition. But it can also be a more broad-minded, accommodating vision of what school is, and who it’s for. It’s a vision with deep roots in American history, and one that gives more students a chance to lay the groundwork for their futures.

Despite the current focus on college preparedness, American students, parents, and public officials have long seen education as having broader goals. In 1818 Thomas Jefferson stated that the purpose of public education included giving citizens information for transacting business, the ability to express ideas in writing, and an understanding of duties to neighbors and country.

Support for a broad range of educational goals continues to this day. A recent survey of the general public, elected officials, and state legislators by Richard Rothstein from the Economic Policy Institute and his colleagues showed support for eight broad goals for public education, with “basic academic goals” being the highest rated, but generating no more than one-quarter of the votes. Other goals included critical thinking, social skills and work ethic, and citizenship.

The need for schools to do more than prepare students for college is supported by studies about jobs in the future economy. A 2010 report from Georgetown University forecasts that by 2018, 63 percent of all jobs in the United States will require a postsecondary education — but that also means that more than a quarter of all jobs will not require any postsecondary education. Indeed, the Department of Labor Statistics has projected that more than one-third of all job openings in the US economy between 2008 and 2018 will not require a college degree, and in fact will require one month or less of on-the-job experience or instruction to be fully qualified in the occupation.

So for a large number of Americans, a college degree won’t matter at all. What will matter, however, is graduating from high school with a set of skills that they can use to get a job, to keep learning, to live a better life.

A number of economists, including Nobel economist James Heckman, have documented the need for noncognitive or so-called soft skills in the labor market, such as motivation, perseverance, risk aversion, self-esteem, and self-control....

Only 76 percent of public high school students in the United States earn a diploma within four years of entering the ninth grade, a rate lower than 40 years earlier. This translates into more than 1 million students who fail to earn a high school diploma each year. When these students drop out of high school, either from lack of interest or because they can’t pass an academically rigorous exam, they’re losing not only the chance at the diploma they’ll need to get a job, but also any opportunity they might have to acquire those basic skills.

How can we keep those students in school — and better serve them when they stay? Research has shown that the key factor in student success is being engaged. Students who are not engaged are less likely to perform well in school, more likely to fail classes, and less likely to graduate. In the 2006 Civic Enterprises report, The Silent Epidemic, high school dropouts reported that the most frequent reason for leaving school was that classes were not interesting. America’s education system — and its students — would benefit from developing a broader measure of high school success, one that includes vocational and technical education as well as the arts and humanities....

High school, in short, should not just prepare adolescents for college and careers, but for successful lives as adults. And far from backing off modern notions of success, this approach actually embodies new understandings of what really helps people succeed: not just reading and math, but deeper life skills that aren’t reflected on exit exams or college applications.....

A long-term study by sociologist John Clausen tracked children born in the Great Depression for six decades and found that those whose lives turned out best — who obtained more education, had lower rates of divorce, had more orderly careers, achieved higher occupational status, and experienced fewer life crises such as unemployment — shared something he labeled “planful competence,” a combination of dependability, intellectual involvement, and self-confidence. Those factors, he found, didn’t necessarily correspond to higher education or test scores. “There’s nothing that predicts better,” he wrote “than what they were like in high school.”

Russell W. Rumberger is vice provost for education partnerships at the University of California Office of the President and author of “Dropping Out: Why Students Drop Out of School and What Can be Done About It” (Harvard University Press).

"what do I say"

Nice picture, not a weak performance at Royalston Shakespeare Co.
Reposted from Connecting Stories by Norah Dooley

Just another day online, at the office. The research errand I was on, was serious - time sensitive tax information for our nonprofit corporation. Not exactly my fave topic. And somehow I had wandered into the ArtsEdge site. Delightful. Not what I needed to be doing but what a rich resource for arts educators. Warning: DO NOT go there if you are in a hurry.

So after spending an hour online browsing at the excellent  Kennedy Center for the Arts site, I had to move on. Before I left,  I skimmed an article about "what to say" when directing students in theater.   I started thinking about how to adapt these ideas for use in my storytelling coaching.  I copied and pasted the list into an email and sent it to myself.  And went back to the fun stuff. Sometimes the material presented by a performer is astoundingly bad. Did I just say that? Phew, no. I just wrote that. We all know that we think that sometimes. But that is not what we want to say.  We know the work or performance at hand is just unformed, not 'ready', 'in process', etc, etc... The writer/educator at ArtsEdge and I think it good to have a few set phrases you can rely on while you gather thoughts about how to be helpful. Below is my first stab at riffing on that list to help story coaches say positive things to help move into a conversation and critique.  Do you you have any favorites? Add yours in the comments below.

Things for a teacher/coach to say after a flawed performance or weak story:

1. “You are really improving.  What would happen if you tried... ( give a specific exercise or direction for student to try.)

 2. “Good"  Or "Thank you.  How can we help you make your story stronger...”  ( if obvious to you what might help, name it, if not just say "stronger").


This was "bad", even the other actors thought so.
3. “Project your voice as if the whole audience was outside, down the hall and in the restroom”

 4. “Good. Keep what you are doing. Please try or see how you feel about adding…”  ( when someone is really tentative - then give some specific exercise or direction to try)

 5. “Interesting. Help us help you by telling us what you care about most in this story...( when you don't even know where to begin - or some specific questions from what is given to tease out where the story is)

 6. “Good. Now what are some ways you want to challenge yourself ?” ( for someone who is almost there but kind of missing the mark)

 7. “Stories happen people to people, or people and animals, people and environment - Show us one thing ( each) so we can "hear" "see" what you see? Show us verbally - or   Show us non verbally ( facial, sound effect,movement etc.)

 8. “What is most important to you? What do you really want us to take away from your story?”

 9. “Breathe. "Anxiety is excitement without breath, " said my first storytelling teacher and great storyteller,  Jennifer Justice (now the Artistic Director of Durham Family Theater). Don’t rush - find at least two places to pause for a full 3 count.”

 10. “What felt good to you in this story? How can you build on that ?”


Ah - finally found the the original article and you may read it here: What Do I Say?   Ten ways a drama teacher can respond constructively and sensitively to student work